![]() This is the same ranking table that is used by the allmusicrating rating system.įor sake of conveyance these eight ranks are placed in three groups:ġ OUT - the very low ranked music that we normally skip over, on a regular playing session.Ģ IN - the mainstream common good quality ranked music that makes up the body of a good session.ģ OUTSTANDING - top ranked music that elevates any music session to an unforgettable experience.Īnd these are the 8 ranks: 4. ![]() With all said, here is a suggested ranking scale of 8 ranks that cover the spectrum of possibilities for any given music. Then we can convert each rank by a determined set of values, to a scoring number that sets our music rating. Our first step is therefore to rank music on a relative scale. If you like the idea of rating music over time length, you can check out more on that down at the bottom of this article, where we introduce the first True music rating service, ever. Therefore, we say that those two albums are similar in quality, they are both ‘Good’ albums, but the 78 minute has higher value for maintaining that quality over a longer period of time than the 38 minute album. Ratings are a better way to express the quality of albums (not tracks) because of differences in time lengths.Ī ‘Good’ album that runs for 38 minutes does not have the same value compared to another ‘Good’ album that runs for 78 minutes… If we can refer to a song by a rank that says ‘Poor’ or ‘Very Good’ or ‘Master Piece’, that is a description that can tell us what to expect. Since we are not yet at the age of measuring feelings, we got to trust our inner guts, and express the total experience in relative terms - we have to at first rank music, and then try to express that in terms of rating.įor practical sake, ranking music - tracks or songs, give us a pretty good idea over the quality of any given music. Let’s dive in and begin with two really important definitions, and then get straight to our point of how to rate music. It’s about feeling, touching, moving, sensing it, connecting to relevant events and times, having fun with, engaging, and everything that makes up a relationship that we human define as love.īecause of all that complexity, we can only value music by asking how much we love it, how good was it as an experience, and how much would it make us want to repeat that experience over and over - again and again. Music is a form of art that connects to the mind and soul. There are many more things that these ratings could do for us. Our main purpose in using music ratings is to make better music selections.Ī good rating system can help us to better organize-categorize-compare and classify music, and help us discover new recordings by relating to their value. This is a good opportunity to explain why it is perfectly “safe” and healthy to practice music ratings. There is a false-consensus over the use of music ratings that unnecessarily denies the so many benefits to listeners. How else can we practically concentrate on our music likings, focus the choices towards our own preferences and make better selections of music? Our choices of music are today almost unlimited with type, style, genre and performers. Yes, this is a good an a hard question that even the serious minded music lovers would question themselves, debate over it and doubt it. “Why should I rate music? Music is here to enjoy, not to rate”. The secret key, the path to make the right music selections when spontaneous is lost, is to place all our music on one accepted measuring scale, a solid base line from which we could compare, categorize, and organize music to match our preferences with greater ease. If we could have placed our music on a measurable scale, and tagged it by its quality, it would have then proved to be very helpful in making better music selections and managing large collections of music. ![]() The purpose of this article is to show you how to rate music, and tell you what it takes for a system to do exactly just that.
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